From NJ to AZ, from techbrarian to ioradical tutorial builder back to 4th-8th grade school librarian, and from living with my spouse to living with my spouse and my parents and a black poodle named Morty
Saturday, June 27, 2020
Book Review: Time Travel for Love and Profit
Sunday, June 14, 2020
Book Review: The Cousins
SPOILER ALERT: The last paragraph here will list my thoughts regarding the ending, so you've been forewarned not to read the last paragraph if you don't want the Storys to be spoiled.
SPOILER ALERT: Next is the last paragraph where I will list my thoughts regarding the ending, so you've been forewarned not to read this next paragraph if you don't want the Storys to be spoiled.
Sunday, June 07, 2020
Book Review: Five Total Strangers
Sunday, May 31, 2020
Book Review: The Insomniacs
Sunday, May 24, 2020
Book review: The Con Code
Saturday, May 09, 2020
Book Review: Being Toffee
by Sarah Crossan
Pub Date: 14 Jul 2020
Read courtesy of NetGalley.com
I didn't know what to expect; I didn't expect a verse novel. So because of the online format in which I began to read it, I didn't catch on the the verse novel's format at first, which added to the disconnected, choppy storytelling I thought I was experiencing. Once I caught on, it became a really fast, emotional read. However, I still don't know who Marla's Toffee is.
Although this wasn't meant to be fantasy, I had to suspend disbelief that Allison could be a squatter in an occupied house without someone calling her out. Although Marla had dementia, others coming and going didn't. In spite of this, I liked Allison, and I liked who she was when she was with Marla. Allison's past didn't ruin her; it made her empathetic.
I agree with other reviewers that the verse novel format served the story well; it reflected both broken characters' trying to understand the world and each other.
.... Hang on... I'm going to read the story again; no, seriously. I can't decide where on the scale of "stars" I'd place this book. Hum the Jeopardy tune a few times... I'll BRB.
OK, I'm back. Thanks for waiting. You can stop humming now.
The writing is lyrical, and I still love Allison/Toffee and Marla. It's the other characters that get in the way. Not so much the other teens, but the adults. Though I guess they are meant to get in the way. Like some movies, I guess this is a story one could read over-and-over and still find something new to discover and discuss. I like that about it. But I know better who Toffee is now, and this just confuses me more. I might have to go for a third read... You don't have to wait around this time. Oh, yeh, I forgot to tell you... I gave it 4 ****
Wednesday, May 06, 2020
Book review: Some Kind of Animal
by Maria Romasco-Moore
Pub Date 04 Aug 2020
read courtesy of Netgalley.com
I so so SO want to give this book 5 stars, but one thing keeps me from doing it: I'm not a prude by any means, but when a pastor curses like a sailor in front of a 9th grader, the story loses a star. ⭐⭐⭐⭐☆ I really regret it; it's a fantastic book, but the gratuitous extreme foul language is shock value and not characterization.
Regardless, I loved this book. It was so fresh; it told a new story and kept me engaged the whole way through. Part bildungsroman, part adventure, part suspense, part horror, it tells the story of a multi-generational dysfunctional family. The main character, Jo, is one of the most believable, age-appropriate characterizations I've ever read. Hearing the story from her point-of-view adds to the vividly impaired and maladaptive family life that moves the story forward.
There's something about the book that reminds me of The Bad Seed by William March. The reader doesn't know who is trustworthy, and that creates a lovely tension. The twist at the end was so well set up that I didn't expect it; does that make sense? It was hidden in plain sight.
I'm going to quote something from the book that doesn't give anything away but demonstrates the skillful characterization:
Savannah would absolutely lose her shit if I told her that I'd slept over at some guy's place. That he was offering me coffee now. It seems like a very grown-up thing. To be offered coffee in the morning by a stranger.That resonated with me as something a 9th grader would absolutely feel.
The title itself is worthy of an entire discussion. Bravo. But $%FYU^^%F.
Sunday, May 03, 2020
Book Review: The Do-Over
by Jennifer Honeybourn
Pub Date 14 Jul 2020
Read Courtesy of NetGalley.com
The Do-Over shouldn't have done it over. Many others have already done it, movies like Big, 17 Again, 13 Going on 30, Peggy Sue Got Married, etc. "But these are movies," you might argue... OK, here's a sample of just one list of similar books: https://www.goodreads.com/list/show/125747.Peggy_Sue_Got_Married, and without having read them, I'd bet at least some of them are better than The Do-Over.
The main character's all-or-nothing thinking probably is a real teen's thinking; however, in The Do-Over it gets repetitive and whiny rather than coming across as true self-insight. Even before she finds a way to do-it-over, she says if she "could take it all back, I'd do everything differently." She can - it's called making amends and being humble. This is a character with low self-esteem who acts like a victim. She has every opportunity to do things differently, and she doesn't take the steps to do-over. She wants magical thinking, literally, to make things right for her. Her character growth is as translucent as her wishing stone is.
This is only for teens who thrive on wish stories.
Monday, April 13, 2020
Book Review: Half Life
Half Life
by Lillian Clark
Pub Date: 09 Jun 2020
It took me half of the way through this book to become more than half interested in Half Life. If I could give it half the stars (2.5), I would.
I had a problem from the get-go with the clone company's ability to "decommission" their clones with no remorse to the clone's humanity as well as why a sentient clone would allow themselves to be "decommissioned." Sure, tension, conflict, and all of that, but it didn't provide me with a realistic scifi atmosphere; it was more of a manipulated fantasy. The only way I could justify the use of decommissioning without concern for the clone being decommissioned was to assume there was going to be some kind of dun.dun.dun. moment; there wasn't. The disregard for the 'experiment' was simply disregard for the experiment.
In the first 49% of the book, I only made one comment under the "interesting" category: That Lucy the clone could express, "Missing someone you've never met is the strangest feeling." In hindsight I felt there was too much set up of Lucille, her psyche, her issues, her self-esteem issues, in order to justify the story line. It took up half of the book, which left me with half of a book to enjoy. After Lucille's character was established during the first half of the book, the entire tone of the book changed and became more engaging and took on a better pace. Students who need to be absorbed by a book in the first 10-20 pages might not make it to the better half of the book.
I couldn't decide if I liked that it took me (i.e., the reader) a while to figure out that Lucille was self-absorbed and that Lucy was more empathetic to people than Lucille was. I finally came to appreciate the irony of Lucy's humanity as juxtaposed to Lucille's. What bothered me then, was how it emphasized how inhumane the cloning company was. AH! So that was the point! Well done, Ms. Clark. On the other hand... it was a plot manipulation to have no one actually ask each other about their feelings or intentions: Lucille and Lucy didn't talk; they just assumed. Same with the company; they just assumed they had non-sentient beings instead of asking or figuring it out? Not a very good model of the scientific method. Moreover, was Lucille really so self-absorbed that even she didn't think of Lucy as sentient? That required a whole lot of suspension of disbelief this far into the story.
Good parts? The second half was filled with fun, sometimes witty and snarky banter; the author was very good at this kind of flirtatious dialog. Her timing and not taking innuendos too far worked well for her characters. The second half also used really good, interesting vocabulary that added to the story when it could have detracted from it (omnipresent, nihilist, ersatz, absconding).
Quirks if the second half? Just after the half way point the author alluded to the fluid nature of [teen] sexual identity by using the word 'allo,' which refers to someone who experiences sexual attraction to others as opposed to being asexual. The second half of the book continued to allude to gender-neutral terms of address (Mx.) and "their' instead of "his or her." Why did it take this long for the author to use this language? It almost felt like her editor told her she had to put it in somewhere, so it got dropped in. (Also, based on the chronological setting of the book, was it really necessary to slip in a snide remark about the POTUS?)
If it weren't for my commitment to NetGalley and the publishers to complete my reviews in exchange for early readership approval, this was almost a DNF. Half Life would have only had a half life for me.
Sunday, March 22, 2020
Book review: Nowhere on Earth
Pub Date: 26 May 2020
Read courtesy of http://netgalley.com
One word: derivative.
First, though, this book didn't know what it wanted to be. It felt easy to read, but right off the bat (chapter 1, paragraph 1) the author threw in "big words," which could easily turn off the reluctant reader who might have otherwise found this a highly accessible book.
Second, I honestly do not know if my high schoolers like reading stories where the teenage protagonist (Emily) is smarter than the adults, but I personally dislike that as a plot method. Yes, teenagers mostly do think they are smarter than their parents, but to make that the premise of a book, as if the teen is a superhero and the parents are clueless, gets old.
OK, back to "derivative." Quite early in the story I felt like I was reading E.T., the Extra-terrestrial. This feeling resurfaced often. Then the Men in Black reference was repeated (and repeated) throughout the book. Then the plane crash was like Hatchet. I even got a hint of Star Wars with a line that sounded like, "These are not the droids you are looking for." Then a little bit of Star Trek was thrown in with their "prime directive"; Aidan couldn't interfere with the Earth's history. I hit my limit when Aidan's departure mimicked E.T.'s "I'll be right here" and I pictured the author thinking, "Queue E.T.s glowing finger." That wasn't the last unoriginal reference, though; the goodbye scene with Emily and Aidan turned into the intro from The Big Bang Theory.
I found the author's descriptions of Emily's father to be inconsistent in that his personality didn't match his character in the end. Throughout she describe him as "all military precision and attention," "Emily's dad had many useful things in his backpack - that was his style...," "...her dad, sticking to the logic of the story," "She was still averting her eyes. Her dad would see her lies in an instant, if he looked into them," "...her dad said needlessly, and Emily realized something else: this was how he dealt with stress. By trying to understand, to analyze," and "That was Emily's dad: no need to discuss what kind of message, or how, or anything irrelevant like that. Pure focus on the plan." Then at the end,
There was an awkward silence, and then they laughed. They tried not to talk too much about the time after the plane crash - he parents told themselves a story abut it, that they'd been in a rush to get to civilization, but Emily could tell they only partially believed it, and that the best way for them to reconcile the events with the kind of people they understood themselves to be was to not think about it.To be fair, there were some positives. The author obviously took a great deal of thought into making Aidan's character's abilities consistent and plausible. That's a real plus, since the story wouldn't have worked at all without this being tight and dependable. I was also pleasantly surprised at how clever the author had Emily be at the end with the man in the gray suit, playing like she knew as much as her parents did about the events that occurred.
However, I think the author did more thinking about how he could mix ET with Agent J or Spock than he did about making an original and absorbing story. <2 stars="">2>
Monday, January 20, 2020
Book review: What I Want You to See
What I Want You to See
by Catherine Linka
Pub Date: 04 Feb 2020
read courtesy of Netgalley.com
As a YA School Librarian, I try to read books from the perspective of my students. Although I've given this story a 5 ⭐⭐⭐⭐⭐ for its story, I can only see it being a 3 ⭐⭐⭐ for my high school students. I loved the story and the style of writing, but I'm just not sure it's the type of story my students would enjoy. It's hard to say what about it does this: perhaps part writing style, part narrow character/plot appeal. The ability of a reader to relate to the world of an artist might affect how receptive the reader will be to this story. If it weren't for an art teacher in my current school who works with encaustics (hot wax painting), I might have been more lost in the story.
Personally, I liked the writing style; although, it did take a bit of getting used to; but once I did, I flew through the rest of the story. It isn't a "great literature" style, more like both sophisticated and terse at the same time. The juxtaposition of style matches the main character's, Sabine's, duality, a teenager who has to grow into adulthood alone.
Linka fleshed out believable characters with realistic dialogue. Her characters don't feel cookie cutter or stereotypical. She didn't have to exaggerate or embellish and thereby kept her characters true to themselves. Linka also accomplished something I find that quite a few of the authors I read have a problem doing: she provided a satisfying and not forced ending to the story.
I appreciated the internal dialogues Sabine has with herself regarding morality. She ended up doing something that was morally correct and personally difficult. I found myself questioning myself as to what I might have done and when I might have done it. I can ask no more from an author than this: I was engaged in the story!
Saturday, January 04, 2020
Book Review: The Twin
Publish date 3/3/2020
Read courtesy of NetGalley.net
Ms. Preston is way lucky the ending was worth the wait, because I almost never got there. About one-third through the story, I was ready to make this a DNF. It felt repetitive and formulaic. Been-there-done-that-check list: Evil twin ✔️, clueless adults ✔️, fickle friends ✔️... But I decided to stick with it to see what's it was about this story that was worth publishing it. I'm glad I did.
However, I'm not sure how I'm going to convince my high schoolers to keep reading past the commonplace plot other than to put a big "Wait for it...!" sign on the cover.
Some real positives, however, are that there were a lot of truisms in the story without being preachy. It didn't become a self-help book for someone who has lost a parent. I also feel like Ms. Preston did her best to make this a psychological thriller and not about mental health.
I'll get this for my high school library and wait to see what happens...
Saturday, December 28, 2019
Book Review: Break in Case of Emergency
Break in Case of Emergency
by Brian Francis
Pub Date: 04 Feb 2020
Book Review: What Unbreakable Looks Like
by Kate McLaughlin
Pub Date: 23 Jun 2020
Saturday, December 14, 2019
Book Review: Jane Anonymous by Laurie Faria Stolarz
Jane Anonymous by Laurie Faria Stolarz
Pub Date: 07 Jan 2020
Read courtesy of Netgalley.com
LOVED IT! I got almost half way through the book before I even stopped to make my usual notes. Gripping, engaging, accessible, and intriguing. Then when I did finally make my first note, it was to express how the box of brownies Jane has with her in captivity reminded me of Wilson in the movie "Castaway." And that's a good thing (for me) since I love watching that movie.
I cannot go into how much this book pulled me in, or I will give away some of the plot. Suffice it to say that I 😲OMG'ed to myself when the abductor was revealed. Since this genre isn't my usual fare, maybe I just wasn't able to piece things together, so I was wonderfully surprised. I'd rather like to think, though, that Stolarz did a great job of weaving a believable tale that allowed her reader to be, well, wonderfully surprised! I had another WOWOWOWOW moment about 85% through the story, which I also cannot describe without giving away some of the mystery. However, it occurred regarding a drawing when the psychological background of the abductor was being revealed. Stolarz crafted both believable characters and a plot that didn't use ploys to make it happen.
I also really liked the way Stolarz allowed Jane to organically find someone with whom she could click in order to get the help she needed after her kidnapping. It felt real or natural for a traumatized teen to reject the counselors her equally traumatized mother wanted her to see.
I also liked Stolarz's use of NOW and THEN to guide the reader through the story. My favorite use of this was between chapters 59 and 60. I liked that NOW chapter 59 was followed by another NOW chapter. It kept the reader in an important moment of the story.
Regarding the plot thread of the shelter dog, I did note to myself that "maybe it's too obvious a connection between Jane and the dog's plight, but maybe that's how it works in real life, too." And being a dog love, I'm glad that sometimes, yes, that's exactly what happens; we heal each other.
In both books and movies, I get the feeling it is really difficult to create an ending. While I was pleased that the story didn't have a tidy ending for Jane, the epilogue felt extraneous and forced, like Stolarz had to try to explain what really couldn't be explained... Jane just had to work through what happened to her, and leaving the reader with a dreamlike final explanation detracted from the work the reader knows Jane has ahead of her. Still, a 5 ☆☆☆☆☆!
Wednesday, December 04, 2019
Book Review: Oasis by Katya de Becerra
Book Review:
Oasis by Katya de Becerra
Pub Date: 07 Jan 2020
Read courtesy of Netgalley.com
I so wanted to like this as much as I started out liking it. It really pulled me in quickly. I can see how it was initially described as Lost mixed with Twilight Zone, but I guess I was hoping for more Twilight Zone mixed with Lost. I personally enjoy more scifi than fantasy, and Oasis was definitely more fantasy than scifi.
Confession: At first I thought the "diversity thing" was over the top, but I quickly understood the setting was absolutely appropriate for scholars from all over to participate in an archaeological dig. I was glad to find the mix of characters was not just a ploy for inclusiveness. I did have a bit of a struggle with some of the characterization (Would a 13 year old boy run to greet an older teenager girl and hug her? What about a brooding, moody, slightly older assistant would appeal so strongly to a teenage girl?) On the other hand, I give de Becerra props for being able to provide two different personalities to each character depending on the plot influences.
From what follows you might get the feeling I really didn't like the book, but I did. I just liked the beginning and where I thought the dig plot was going more than I did where it ended up. So what follows in this review are things that detracted from my fuller enjoyment of the book:
- I get the teen hormone thing, but the kissing did seem to appear at random (or inopportune) times. I guess that's how it is with teens. I know the kissing was the plot device to imbue the main character with self-consciousness and doubt, but it seemed to belie her strength and wisdom as a strong female character.
- In one scene, the brooding, moody character tells the main character, "It'll be all right," after she says she has doubts about their situation. It reminded me of the insurance commercial where the frightened teens agree to run into the chainsaw shack instead of escaping into the running car. A bit too obvious that danger lurked ahead.
- Another short scene was full of psychobabbly, new-agey philosophy. I wondered at the time I was reading it if teens like that mumbo-jumbo and would buy into it.
- For me the depth of the stolen tablet's insight into the characters was lessened by the fully developed characterization of the main players previously by the main character. I just thought the part where the tablet "made things clearer for its host" really just reiterated the things that main character had already revealed about her friends.
- When the characters each experienced the tablet in different ways, why was Rowen's depiction one of a tree? Nothing else in the story implied that vision, so it felt random to me.
- Is it me, or was it too obvious for the author to use the terms "alternate reality" and "parallel universe" toward the end of the story. Did that need to be spelled out so blatantly? And what about the use of "alien threat"? That TOTALLY changed what the dark essence was for me and took me even further out of what I had come to find comfort in while trying to stay engrossed with the story. An alien threat is a very specific choice of words that restricts the reader's imagination.
Sunday, September 08, 2019
Book Review: Crying Laughing
Crying Laughing by Lance Rubin
Publishing date: November 19, 2019
Read courtesy of netgalley.com
5 ⭐⭐⭐⭐⭐
If we couldn't get more of Denton Little, at least we have Winnie Friedman. Cleverly written story about comedy without being forced and corny -- quite an achievement. Makes me want to start an improv club for my students!
Even though I know a bat mitzvah is for girls and a bar mitzvah is for boys, and the reader is told about the character's bat mitzvah, I still found myself [pleasantly] surprised when I absorbed that the protagonist was a female and not a male. This is a good thing since I was able to break myself from stereotypical thinking early in the story. I think that the character is Jewish also makes for a subtle take on the humor that other ethnicities might not have inherent in their culture, the subtleties between puns and sarcasm, which are so integral to Jewish and Yiddish parlance. In other words, this mix of character development worked very well for this story.
And speaking of inherent ... sporks are inherently funny. Just sayin'...
Teens will relate to the cute humor throughout the story, too. For example, categorizing potential relationships as "hope-will-flirts," "neutral-will-flirts," and "please-don't-flirts" is funny and quite teenager-ish.
While the humor carries the story afloat, the author does an a-ma-zing job of showing a teen's understanding of complicated adult conversations. Winnie's father has ALS, and the subject is handled honestly from the patient-, the parent, and the family-perspectives. All of the characters are treated with equal humanness and not made into oversimplified caricatures.
The few criticisms I have do not deter from the 5 ⭐⭐⭐⭐⭐ or the story. There are just a few times where the writing is too PC or 'too' inclusive just to fit in with the contemporary times....Jews, hijabs, and trigger warnings. There are also some contemporary references that might date the book before it's ready to be a thing of the past: Polly-O string cheese (specifically Polly-O), the TV show Parks and Rec, Totes McGotes, and FOMO.
Regardless, I loved this book and cannot wait to get it for my high school library!
Tuesday, August 13, 2019
Book Review: Every Stolen Breath
Every Stolen Breath
by Kimberly Gabriel
Pub Date: 05 Nov 2019
Read courtesy of netgalley.com
⭐⭐⭐
I wanted to like this; parts of it felt original. However, much of it didn't. It tried so hard to keep you guessing that it was more frustrating than intriguing. I made a note to myself at one point, "plot-stupid move." In other words, either the author (and editor) tripped themselves up and allowed something to be included that was just too obvious or cliche, or the author envisioned an eventual movie. Since it's based on a real-life event, it is a shame that the fictionalization of the event got muddled in its retelling.
I enjoyed the teen portion of this novel, just not so much the adult pompous political baloney. The two main characters' relationship (Ryan and Lia) was fun an engaging journey to follow, but the politician's son, Cullen, was quite a stereotypical arse.
Since I wanted to like it, I'm curious to see what my teens think of this book and if I'm just having an adult reaction to it.
Thursday, July 18, 2019
Book Review: Me and Mr. Cigar
Me and Mr. Cigar by Gibby Haynes
Publishing date: January 21, 2020
Read courtesy of NetGalley.com
I wanted to like this book; it's about a dog, after all. But one-third of the way through, it became a DNF for me. The author's drug-fueled magical realism was, um, drug-fueled. Not that there's anything wrong with that (*cough*sputter*), but though it made sense in the author's own head, it never made it from his head to the paper in a coherent way. An author cannot surf on the w(hole) of his name and just hope not to end up on his butt.
Book Review: The Speed of Falling Objects
The Speed of Falling Objects by Nancy Richardson Fischer
Publishing Date: October 1, 2019
Read courtesy of NetGalley.com
YES! ⭐⭐⭐⭐⭐ I haven't cried while reading a book in a long time. Thank you, Ms. Fischer, for getting to me. I cannot wait to get this into the hands of my high schoool readers.
Not only did the author wow me with a book I expected to just be a knock off of Hatchet by Gary Paulsen (it wasn't!), but she also included references to one of my favoritest books of all time, The Phantom Tollbooth. This book was a win-win for me.
Danny's nickname is Pigeon, and she explains why throughout the story. Even the research on all of the pigeon characteristics and metaphors would have wowed me, but Fischer goes on to research survival skills 🔥 , the Amazon rain forests ☔️ 🌳, snakes 🐍 , spiders 🕷 , and scorpions 🦂 (among a myriad of other creepy crawlies), plane crashes ✈️ and the medical possibilities that might occur from one, the planes themselves, and reality television. And it works!
The best part of Fischer's story is that it is really about growing up as much as if not more than surviving a plane crash in the Peruvian rain forest. It's a full-on metaphor of surviving being a teen, coming-of-age, and finding identity. And she didn't preach at the reader - not once.